Smooth Groove

I was in Ottawa for a few days from Saturday onward. With its freezing rain and fresh snow, it was still a winter wonderland. But that came at the cost of the LRT out of commission again so it was a trek getting home via bus. I was happy to stay inside to continue with the fire-fighting at work.

Back in Toronto on Thursday, I decided to attend a show at the Wavelength festival. It was going to be noisy at St. Anne's Parish so I selected Lula Lounge, an odd location for the indie organization. The evening turned out to be on the more easy listening end of the scene.

Lula occasionally turns into a proper concert venue, but it was usually a supper club, and that was the case for this show. The good: a big venue with good sound and lighting. The bad: nobody was up near the stage, you were either sitting down at the tables or standing awkwardly at the back. I usually avoid these venues (The Rex, etc.) because you have to pay extra (in the form of food) for a table. But if I had known that for this show you could buy a ticket or just get a table, I would have put the $34.75 toward a meal and gotten a free concert.

P.S. Lucas came from Portugal (Wavelength's attempt this year to go non-local) and his playing was an updated version of a traditional style. But I don't know much Portuguese music other than fado so his shimmering picking reminded me of Spanish guitar like flamenco. He sang in English and Portuguese (though unlikely many in the audience were locals in what was once Little Portugal). The lyrics were poetic and sometimes took inspiration from Portuguese idioms. The song In Between was inspired by entre a espada e a parede (between the sword and the wall). I enjoyed the short set with his skillful guitar playing.

In fact, a nice surprise tonight were both shorter sets and quicker set-ups. I was worried that, with 4 bands on the bill, the evening was going to drag out. Daniel Colussi (Fortunato Durutti Marinetti) played the most appropriate music for the venue. It was catchy but very Copa Cabana. Still, his David Byrne style and interesting songs (Coke vs. Pepsi, The Bulldozer) was Blimp Rock redux and the romantic Hold On To The Dawn had the earnestness of Luka.

Dan English was an Iowan by way of Brooklyn. His set was a less languid Lana del Rey full of yearning. As it was his first show in Canada, Caitlin Woelfle-O'brien hooked him up with 2 local musicians. The trio played a nice set of contemplative art-rock. It was also English's first time in a supper club, but some joined in on his cover of Perfect Day (Lou Reed). Two fans even came up to chit-chat afterwards.

Tara Kannagara was ostensibly the head-liner. But by this time, the venue was mostly empty with the departure of the dinner crowd. Like all the performers tonight, she was mostly showcasing new material. So Kannagara was just happy to play live music with her band. The new songs seemed like a departure from her current output of indie with a splash of "prog jazz". They were Laufey-esque balladry meet R'n'B influenced synth-pop: head-bopping beats, wobbly synth, and pure vocals soaring over it all. There were some outstanding gems in the new stuff.