I thought the chance of rain was over when I headed out around 7:30 p.m. on Friday for the Dundas West Street Festival or now more commonly known as Do West Fest. Since I was stuck in traffic the last time, I decided to try the subway instead. Luckily, the Greenwood bus, one of the less frequent route, came quickly. Everything proceeded smoothly until Ossington. The bus was at least a 20-minute wait so a large contingent of festival goers streamed out of the station to head south. As a long-time resident, I knew to avoid the car-heavy vibes of Ossington street by heading one block west to Concord.
When I got to Dundas and Dovercourt, about one-third of the way into the party zone (which extended from Ossington to Lansdowne), the street was packed. Do West has survived the street festival battles (there was a time when Toronto was crazy about having a street festival almost everywhere) and, being more or less the 1st one on the calendar, positioned itself as the official start of the summer. At first, I walked down the middle to check out the various food vendors. But like a good number of visitors, I then moved over to the sidewalk for the relatively lighter traffic. Though a crowd at a Baby G show just down the street was usually young, they do feel a bit indie. I haven't been among such a huge number of mainstream 20-somethings in their going-out clothes in a long time. I was struck by their youthfulness (eager, lively, joyful) and postulated that a large number of the hundreds of thousands coming here every year must be young folks. Given the expensive cost of living in Toronto, someone older might decide to save their money and avoid the big-city life.
My destination was a concert stage across from The Garrison. But with a new condo at the old LCBO parking lot, it was now placed right on the street. With the bar itself extending its outdoor patio to cover most of the other side, there wasn't much room for both concert and festival attendees. So the amount of listeners wasn't much more than at the Baby G. In previous years, it might have been several hundred.
Both bands were plagued by intermittent rain but they still did a bang-up job. Shilpa Ray and her band from NYC alternated between slow, broody numbers (reminiscent of a DIY Massive Attack) and fast-paced punk of furious chords and screamed lyrics. I was there for Mother Tongues, having skipped their concert last year due to a fever. I knew of front-woman and bassist Charise Aragoza, who started out as a back-up dancer with her brother for Maylee Todd, and later became a musician who played with acts like Luna Li. But somehow, for about a decade, I always missed them by a few hours.
I was pleasantly surprised by their set. The 90s dream-pop on their album rocked harder live. Aragoza light vocal still floated over the music, but now it was backed by driving drums and feedback-drenched guitar. Her bass kept a steady pulse though Mother Tongues liked to segue between languorous verses, driving refrains, and almost jammy extended codas. The older folks at the back by the Garrison entrance enjoyed this evolution of their era's music. At the same time, the young crowd at the front grew bigger and bigger, and even beginning to block the foot traffic. It wasn't quite a mosh pit, but there was definitely people (and sometimes umbrellas) bouncing up and down.
I stayed for Mother Tongues' entire show which lasted until 10:50 p.m. Afterwards, I walked back up to College St. Luckily the rain kept most people inside with Little Italy being noticeably empty. So my streetcar made excellent time to the East End. Compared to the 2.5 hours trek last Friday, I got back to my sublet in 40 minutes.


