Wuthering Heights

Having met our deadline, our boss gave the go-ahead to take advantage of our new company's policy and take the 2nd Friday of each month off. Since I was going on a short trip back to Ottawa, I did my laundry in the early morning instead of waiting until Sunday. The forecast called for a final winter blast and it arrived around 11 am. As I returned from Progress Bakery with cod patties for lunch, I ran into my neighbour diligently clearing out the wet snow. A quick conversation revealed that he lived in the Yonge and Finch area. No one was living in his units yet because the building was in bad-shape when he bought it 3 years ago.

In the evening, I went to 241 pizza not for my usual slice but to order a 3-topping panzerotti. The price has increased to $11.99 from about $7 a while back. The panzerotti was a corporate branding because they didn't deep-fry it like the real one; this was closer to a calzone. Nevertheless, I've enjoyed it over the years and tonight's combination of baked dough, gooey cheese, olives, hot pepper, and pineapple still hit the spot.

Looking for an activity to do, I came across a concert at Lee's Palace. I recalled from a few days ago that on non-quite-yet gentrified Geary, the light-poles were plastered with posters; something that has disappeared from Little Italy and Queen St. West. This concert was among those street ads. Online, the $25 price has morphed into $27.50 with a $10 fee. I thought I might avoid the price-gouging by buying at the door. No such luck as they simply fired up their tablet and charged me the same $37.40.

It felt more like a concert than the last few shows: people lining up early for merch, and an actual music sub-culture scene. Early on, whether goth or emo, there were numerous kids in elaborate black clothes with heavily-drawn white make-up. But the bulk turned out to be regular folks (although still mostly wearing black) and a surprisingly number of people over 40. Have these bands been around a long time?

The first opener, and my favourite for the night, was Modele. A four-piece that reminded me of Depeche Mode with their combination of synth, tight drumming, and punctuated by catchy riffs. The singer, who towered over his bandmates, sang dramatic lyrics (You Are My Sin, Pleasure For The Holy) in a deep register while his guitarist harmonized in a higher voice. They got my $55 for a tee and the album. Automelodie has been around for over 20 years under various monikers. I liked that the Euro synthpop was controlled with several samplers and pads instead of just a bunch of tracks on a MacBook. But there were two downsides: the French lyrics were lost on the Toronto crowd, and though he was quite energetic, Xavier Paradis seemed a bit awkward on-stage. During the set, I thought that a performer like Regina Gently could sell this music better.

Traitrs formed around 2015, yet as a testament to the diversity of Toronto's scenes, I have never encountered them until Friday. When the duo stepped on stage and the singer/guitarist lamented in the upper register, I immediately thought of The Cure. Over the course of several songs, they did stayed in that melancholic, thumpy vibe. I left about half-way through the set since I had an early bus to catch but also because they weren't as inventive (musically and in terms of stage-presence) as the openers.