I had a case of FOMO since last week. I hadn't seen singer/model Ellisa Mielke (Mieke) for a decade. With her relocation to L.A., she rarely plays in Toronto anymore. Mielke was showcasing songs from an upcoming album at The Burdock ($15) on Thursday. Then on Friday, recent find Monstrosa, a mostly female metal band, was having a show at The Monarch ($16.95). But I had just returned from a short trip to Toronto, one with good food but albeit no entertainment outings. Financially, it didn't make sense.
Over the course of the week, I kept checking AirBnB and discovered something new. As the booking date neared, some hosts (or more like the site's algorithm) dropped their prices. By Wednesday, a spot located in Bloordale offered $99 per night. But finally I decided that, at my age, I wasn't up for a quick 2-day trip (by bus) so soon after a previous one.
So though I didn't go out in Ottawa for shows anymore, I looked for something to do on Saturday. There was a $20 concert at the 4th stage studio at the NAC. The main draw for me was Lia Pappas-Kemps who I saw at a January show. She played a solo set showcasing older songs and new, unreleased numbers. Kemps only played 1 song from her album released in March. Her reason: without a band and a fixed set list, she had more freedom to mess around. Her songs were lyrical (in her words "melodramatic") with odd chord changes (she changed her guitar's tuning after every song). She said that her new stuff was an attempt at "simpler songs" but they were still a bit ornate. I prefer the stark specificity of a singer/songwriter like Teagan Johnston.
The headline set was the duo True Mountain Laurel. This was a 1-year-old collaboration from Haley Blais and Sam Lynch, friends with established musical careers. With only 22 minutes of tunes on the new album, they also included their own songs. The Laurel songs were more playful, a banter between friends while their own material were uniformly "sad songs". Their two-buds, millennial-coded stage patter received big laughs. Kemps joined them mid-set for two songs. The 3-part harmony and trading verses on Anna Nalick's Breathe (2 AM) was lovely. It is always bemusing to realize some young person's classic song is way after your time. But the stunner was Kemps' new song "I Want It Easy" (to be released soon). Blais and Lynch were right to demand that she sang it during their own set with them on backing vocals. Here was finally a "simple song" that landed with heavy lyrical weight. It could get Kemps into the mainstream.
The 3 performers and I were all taken aback at the near-capacity (I eyed around 120) crowd. Both Kemps and True Mountain Laurel were too new so many might have been fans of either Blais or Lynch. Regardless, this meant that it was a more lucrative show for them all than a typical bar gig especially since I think NAC shows are sponsored by grants (i.e., no booker or venue fees). Mielke's sold-out Burdock show could also yield an OK payday. Monstrosa's concert, with 4 full bands including Jess Roveda, Ever Since We Met, and Passenger Princess might only net each musician enough for brunch.


