Beasts From The East

I had a concert Tuesday night so I headed back to my rental from Christie Pits. On the way, I stopped off at Long and Mcquade for some Alpine ear plugs ($26.99) and Laziza for a veggie plate ($14.99). A new hire was light on my portion until he was set straight by a coworker. Since there was a 2-hour limit on transit rides and I would need to go to Massey Hall later anyway, so I hopped on the subway for a quick 2-stop skip back to Lansdowne.

Ginger Root is the Citypop project of Cameron Lew. As an opener, they only had 40 minutes but this allowed them to packed a lot of material into their tight set. As Cameron said, Ginger Root wasn't only an "audio-visual feast" (they had a roving cameraman shooting live on 80s equipment), it had a "cinematic universe". This was the cheeky cue to splice some scenes from their music videos, all imagined as drama at the fictional Juban TV, into the show. They played upbeat, funky music that showed a wide range of influences. There was a touching moment when Cameron admitted that the college essay he wrote 7 years ago on his way back from an early gig was about Psychopomp, the headliner's debut album. There might have been more fans on the 2nd night compared to the 1st, and some of them even knew about the tap water kerfuffle, but Ginger Root definitely won new fans with their high energy songs.

Japanese Breakfast (Michelle Zauner) has come a long way from playing solo at The Horseshoe with Toronto being the city to host her first big show. Though she might not have sold out both nights, it was still close to 80% full. Many probably knew her recently from the Grammy-nominated Jubilee and her best-selling memoir Crying in H-Mart. With success came a giant backdrop, large props including stylized waves and an oyster shell, and dramatic lighting from their own set-up as well as the venue's. The music also spanned several genres: the most recent album leaned heavily on plaintive ballads, but the earlier synth-pop and indie rock sound also made appearances. Her new fans leaned younger than millennials as few recognized her cover of Donna Lewis' I Love You Always Forever. Success also brought more generic stage banter. Gone were stories about her smaller Toronto gigs including the infamous and not fondly remembered 3-day residency at The Silver Dollar.

I should mention that because these bands were fronted by Asian leads, I shelled out some fairly big bucks for the whole evening: ticket ($99 + $30 fees), a Breakfast tee ($55 + tax) and a Root tee and vinyl ($80 + tax). But this will be my high watermark as my concert limit will be $50 even though tickets now typically cost $20+ even for local indie bands.